Greece_Grave
Grave (Voice), Greece
Properties
| Notes | 6 |
|---|---|
| Period | 1202.0 ¢ |
| Just | No |
| Source | Database of Musical Scales |
| Reference | Panteli, Maria; Purwins, Hendrik (2013). A Quantitative Comparison of Chrysanthine Theory and Performance Practice of Scale Tuning, Steps, and Prominence of the Octoechos in Byzantine Chant. Journal of New Music Research, 42(3):205-221. |
| DOI | https://doi.org/10.1080/09298215.2013.827215 |
| Country | Greece |
| Reference | 8 scales |
| Tone (¢) | Step (¢) |
|---|---|
| 200 | 200 |
| 373 | 173 |
| 490 | 117 |
| 684 | 194 |
| 891 | 207 |
| 1202 | 311 |
Similar scales
| File | Notes | Rotation | Max diff (¢) |
|---|---|---|---|
| CD17_12_Tunisia | 6 | 0 | 10.8 |
| Greece_Third | 6 | 0 | 11.0 |
| CD13_06_husayni_Iraq | 6 | 5 | 12.3 |
| CD17_10_Tunisia | 6 | 1 | 14.0 |
| CD08_08_bayati_Egypt | 6 | 5 | 14.3 |
| CD12_16_Iraq | 6 | 5 | 14.8 |
| CD11_06_Iraq | 6 | 5 | 16.2 |
| CD11_09_Iraq | 6 | 5 | 16.7 |
| CD16_05_Morocco | 6 | 2 | 17.9 |
| xen12-wilson-39-4C2-hexany-01 | 6 | 3 | 18.0 |
Parent scales
| File | Notes | Max diff (¢) |
|---|---|---|
| xen18-darreg-djami-zangule | 7 | 11.0 |
| CD06_06_Egypt | 7 | 12.0 |
| diaopt5 | 7 | 12.9 |
| diaopt7 | 7 | 13.2 |
| ra2 | 7 | 14.1 |
| prop19_7a | 7 | 15.3 |
| Cambodia_Heptatonic_01 | 7 | 16.0 |
| China_Flute_04 | 7 | 16.0 |
| Ghana_Tomora_Ba | 7 | 16.0 |
| mavchrome7 | 7 | 18.0 |
Child scales
| File | Notes | Max diff (¢) |
|---|---|---|
| CD15_15_Morocco | 5 | 10.1 |
| Solomon_Islands_Xylophone_05 | 5 | 12.0 |
| Vietnam_Bac | 5 | 14.0 |
| Cambodia_Pentatonic_01 | 5 | 16.0 |
| Cambodia_Pentatonic_02 | 5 | 16.0 |
| xen15-gilson-just-pentatonic | 5 | 18.0 |
| xen15-gilson-pythagorean-pentatonic | 5 | 18.0 |
| China_Sien_tsu | 5 | 18.0 |
| Uganda_Xylophone_a | 5 | 19.0 |
| Indonesia_Slendro_Tandak_Geroh | 5 | 23.0 |
Raw file
! Greece_Grave.scl ! Grave (Voice), Greece 6 ! 200.0 373.0 490.0 684.0 891.0 1202.0 ! ! Panteli, Maria; Purwins, Hendrik (2013). A Quantitative Comparison of ! Chrysanthine Theory and Performance Practice of Scale Tuning, Steps, ! and Prominence of the Octoechos in Byzantine Chant. Journal of New ! Music Research, 42(3):205-221. ! ! [info] ! source = DaMuSc ! measured_id = M0432 ! ref_id = 60 ! country = Greece ! doi = https://doi.org/10.1080/09298215.2013.827215