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75 scales
| File | Description | Notes | Period (ยข) | Limit |
|---|---|---|---|---|
| 08_o8 | Mode 8 of the harmonic series. | 8 | 1200.0 | 13 |
| 08_pajara8-symmetric | TOP pajara (symmetric form). | 8 | 1196.9 | |
| 08_wauchope_symmetrical | Two 10:12:15:18 chords rooted a 7:5 apart. | 8 | 1200.0 | 7 |
| 12_o10-plus2125 | Harmonic series 10-20, plus 21/20 and 25/20. | 12 | 1200.0 | 19 |
| 12_o8x13 | Two harmonic series segments (cap 16) rooted a 3:2 apart. | 12 | 1200.0 | 13 |
| 12of26-IbnSina-plus | Tempering of Ibn Sina's 1/1-14/13-7/6-4/3-3/2-21/13-7/4-2/1 | 12 | 1200.0 | |
| 12root618phi | 12 root of 0.61803 phi | 12 | 618.0 | |
| 12to30subharm12 | subharmonic 12 to 30 in 15 | 15 | 1200.0 | 29 |
| 17-tET | 17-EDO | 17 | 1200.0 | |
| 17wt | Well Temperament 17 - George Secor | 17 | 1200.0 | |
| 2.3.5-7.11-9.diamond | 10 | 1200.0 | 11 | |
| 21-23-25-27 | 21 23 25 27 | 13 | 1200.0 | 23 |
| 22 | 22-tone equal temperament | 22 | 1200.0 | |
| 26EDO-IbnSina | Tempering of Ibn Sina's 1/1-14/13-7/6-4/3-3/2-21/13-7/4-2/1 | 7 | 1200.0 | |
| 53of94 | garibaldi[53] MOS in 94-edo | 53 | 1200.0 | |
| 7-and-12 | 7-note and 12-note equal temperament, coinciding on Bb | 18 | 1200.0 | |
| B | Porcupine triad | 3 | 1200.0 | |
| DIMENSIONEC2 | Dimension EC Scale | 12 | 1200.0 | |
| EC2lesfip | Lesfip scale from EC2, 13 cents, 11-limit union {15/11, 22/15} | 12 | 1200.0 | |
| EClesfip | Lesfip scale from EC, 13 cents, 11-limit union {15/11, 22/15} | 12 | 1200.0 | |
| arch_enh_cheese | Archytas' enharmonic with just 5/4's 'round a circle of 5-ET | 15 | 1200.0 | |
| bad | badscale | 7 | 1200.0 | 823 |
| beardsley | David Beardsley's scale used in "Science Friction". superparticular | 12 | 1200.0 | 19 |
| bicycle | 13-limit harmonic bicycle, George Secor, 1963 | 12 | 1200.0 | 13 |
| buzurg1 | Variant of Buzurg (Qutb al Din al-Shirazi, Persian theorist, c. 1300) | 8 | 1200.0 | 13 |
| centmarv | 1/4-kleismic marvel tempered centaur/meandin | 12 | 1200.0 | |
| choraled_scale | Scale used in "choraled" by Gene Ward Smith | 26 | 1200.0 | |
| cxi2 | Second 11/5 <11 17 26 31| permutation epimorphic scale | 11 | 1200.0 | 7 |
| diaconv2401 | Breed convex closure of 7-limit diamond | 17 | 1200.0 | 7 |
| dimensionsquared | dimension squared | 12 | 1200.0 | |
| dwarf17_5 | Dwarf(<17 27 39|) = wilson_17 | 17 | 1200.0 | 5 |
| fortheloveofa5th | for the love of a 5th | 9 | 1200.0 | |
| golden-triforce | triforce[15] | 15 | 1200.0 | |
| hanson7 | Hanson[7] in 53-et tuning | 7 | 1200.0 | |
| htct29b | Circulating variation on George Secor's HTT-29 | 29 | 1200.0 | |
| igs | Seven notes of myna in 89et | 7 | 1200.0 | |
| jot17 | Just octachord tuning -- 9:8-4:3-9:8 division, 17 steps (7 + 3 + 7), C-C | 17 | 1200.0 | 23 |
| jot17a | Just octachord tuning -- 4:3-9:8-4:3 division, 17 steps (7 + 3 + 7), Bb-Bb | 17 | 1200.0 | 23 |
| jsmith17 | J. Smith 17-note well-temperament | 17 | 1200.0 | |
| keemun11 | Keemun[11] = Hanson[11] = Kleismic[11] in 53-et tuning | 11 | 1200.0 | |
| leapday17 | Leapday[17] in 46-et tuning | 17 | 1200.0 | |
| lumma_wauchope-major | Two 8:10:12:15 chords rooted a 7:5 apart. | 8 | 1200.0 | 7 |
| magic10 | Magic[10] in 41-et tuning | 10 | 1200.0 | |
| magic7 | Magic[7] in 41-et tuning | 7 | 1200.0 | |
| mean2-5 | 2/5-comma meantone, Eb-G#, C-C | 12 | 1200.0 | |
| mean2-5_19 | 2/5-comma meantone, Gb-B# (19) | 19 | 1200.0 | |
| michael7 | Michael's 7-note, more or less 7-limit scale | 7 | 1200.0 | |
| mif7 | Lesfip scale derived from michael7 | 7 | 1200.0 | |
| mmmgeo1 | Scale for MakeMicroMusic in Peppermint 24, maybe a bit like Georgian tunings | 7 | 1200.0 | |
| mmmgeo2 | Scale for MakeMicroMusic in Peppermint 24, maybe a bit like Georgian tunings | 7 | 1220.8 | |
| mmmgeo3a | Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-like"? | 7 | 1200.0 | |
| mmmgeo4a | Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-like"? | 7 | 1200.0 | |
| mmmgeo4b | Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-like"? | 7 | 1200.0 | |
| monzo_pyth-quartertone | 24 | 1200.0 | ||
| mostly-elevens-scale | Scale derived mostly from elevens. | 17 | 1200.0 | 11 |
| mostly-elevens-scale-tempered-to-72-EDO | 17 | 1200.0 | ||
| myna23_makemicromusic_27704_27727 | Myna[23] in 89et tuning | 23 | 1200.0 | |
| mysterious | Spectras Mysterious Ratios | 7 | 1200.0 | |
| pepbuzrg | Peppermint 24 version of Buzurg variant (cf. buzurg1.scl) | 8 | 1200.0 | |
| peprmintA | Peppermint 24 with A as 1/1 (KEY 18 of C version) | 24 | 1200.0 | |
| peprmint_key1 | Peppermint with C* or Sagittal C/|\ as 1/1 (24) | 24 | 1200.0 | |
| porcupine15 | Porcupine[15] in 22et tuning | 15 | 1200.0 | |
| pyth_17 | 17-tone Pythagorean scale | 17 | 1200.0 | 3 |
| schismatic12 | Schismatic[12] in 171-et tuning | 12 | 1200.0 | |
| secor | George Secor's well temperament with 5 pure 11/7 and 3 near just 11/6 | 17 | 1200.0 | |
| sensi11 | Sensi[11] (Semisixths[11]) in 84edo tunig | 11 | 1200.0 | |
| sevish | Sevish JI scale | 12 | 1200.0 | 11 |
| sevish159 | 159et tempered version of Sevish JI scale | 12 | 1200.0 | |
| shur17 | Peppermint 17-note thirdtone set for Persian dastgah-ha | 17 | 1200.0 | |
| triaphonic_17 | 17-tone Triaphonic Cycle, conjunctive form on 4/3, 7/6 and 9/7 | 17 | 1200.0 | 23 |
| trithagorean13--tritavewith5_3generator | Tritave scale with a 5/3 generator. | 13 | 1902.0 | 5 |
| uruk | Jon Lyle Smith's "Uruk" scale | 17 | 1200.0 | 7 |
| valentine15 | Valentine[15] in 46-et tuning | 15 | 1200.0 | |
| zarte84n | Zarlino temperament extraordinaire, 1024-tET mapping | 12 | 1200.0 | |
| zartehijaz1 | Scale from Zarlino temperament extraordinaire -- lower Hijaz tetrachord | 9 | 1200.0 |